| Siegfried Wagner uddannedes som
billedhugger på Kunstakademiet 1889-1896 og siden på Vihelm Bissen og
J.F. Willumsen.
For Den kongelige Porcelænsfabrik skabte han dette skakspil, men
arbejdede i øvrigt med vidt forskellige materialer: træ, diorit, marmor,
granit, sandsten, porfyr, tin, sølv, glas mm.
Listen over hans værker vidner om rastløs flid livet igennem. De
opgaver, han løste, strakte sig fra monumentale skulpturer til
kunsthåndværk, bl.a. har han givet udkast til bogbind, møbler, smykker
samt vævede og knyttede tæpper.
Som kunstner gik Siegfried Wagner sine egene veje. Han stod uden for
den klassiske danske skulpturtradition, hvorimod tilknytningen til
egyptisk og gammel orientalsk kunst, som han lærte at kende på talrige
rejser til Nordafrika og Mellemøsten, faldt ham naturligere |
 |
Siegfried
Wagner trained as a sculptor at the Royal Academy of fine art in
Copenhagen from 1889-1894 and later in the workshops of Vilhelm Bissen and
J.F. Willumsen. For the Royal Copenhagen Porcelain Manufactory he created
among other things this present chess-set. But he also worked in a wide
variety of materials: wood, diorite, marble, granite, sandstone, porphyry,
pewter, silver, glass and many others. The list of his works reveals a
life of restless industry. The task his solved stretch from monumental
sculpture to applied art, furniture and jewellery, as well as woven and
knotted carpets.
As an artist, Siegfried Wagner went his own way. He
stood outside the classical tradition of Danish sculpture, the association
with Egyptian and ancient Oriental art, which he had learned to know on
his numerous journeys to North Africa and the Near East, coming more
naturally to him.
|